Discover a transformative perspective on art with *Seeing Slowly*, a compelling hardcover book by Michael Findlay. Measuring 180 x 240 mm and featuring 248 pages, this beautifully bound volume invites readers to rethink their approach to modern and contemporary art. In an era inundated with information, Findlay asserts the importance of slowing down to truly engage with art. Dive into thought-provoking chapters such as "What Is a Work of Art?" and "Can We Look and See at the Same Time?" that guide you in forming your own opinions, liberating your imagination, and enhancing your appreciation for masterpieces by renowned artists like Mark Rothko and Joan Miró. This book encourages a genuine connection with art, reminding us that the true essence of each piece only comes alive when we actively participate in the experience. Perfect for both seasoned art enthusiasts and newcomers alike, *Seeing Slowly* will empower you to enter galleries and museums with newfound confidence and leave with inspiration. The essence of art comes alive through your engagement, making this a must-read for anyone looking to deepen their understanding of artistic expression. Your journey through the world of modern art begins with this insightful read.

CONDITION: Brand New
Dimensions: 180 x 240 mm
Pages: 248
Bind: hardback
Publisher: Prestel Publishing
Publication Date: 11-09-2017

When it comes to viewing art, living in the information age is not necessarily a benefit. So argues Michael Findlay in this book that encourages a new way of looking at art. Much of this thinking involves stripping away what we have been taught and instead trusting our own instincts, opinions, and reactions. Including reproductions of works by Mark Rothko, Paul Klee, Joan Miró, Jacob Lawrence, and other modern and contemporary masters, this book takes readers on a journey through modern art. Chapters such as “What Is a Work of Art?”, “Can We Look and See at the Same Time?”, and “Real Connoisseurs Are Not Snobs,” not only give readers the confidence to form their own opinions, but also encourages them to make connections that spark curiosity, intellect, and imagination. “The most important thing for us to grasp,” writes Findlay, “is that the essence of a great work of art is inert until it is seen. Our engagement with the work of art liberates its essence.” After reading this book, even the most intimidated art viewer will enter a museum or gallery feeling more confident and leave it feeling enriched and inspired.

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